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PORTRAIT MINIATURES
INCLUDING WAX PORTRAITS AND SILHOUETTES
Note: dimensions given are for the visible image and for the frame size.
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AKED.
Portrait miniature of a young man c.1780 mounted in a round sculpted
gilt brass frame (45 mm in diameter) on the back of which is a
handwritten label reading "Mr Aked (Father of Grandmama Williams ?". £500 Possibly the father of Mary Ann Aked who in 1821 married Robert Vaughan Wynn Williams (b.1798) at Mayfield, Staffordshire, and had two sons and two daughters. The origins of the name Aked are found in Yorkshire. |
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ARCHER,
Edward. Hollow cut silhouette of a gentleman c. 1790 (profile 60mm
high), mounted in a contemporary ebonised oval frame (128 x 107mm) with
suspension loop. The paper has two handwritten inscriptions - a
partially visible inscription reading "...Profile of my uncle E.A.
RH" and another "Edward Archer b. at Newcastle 6 May 1754
d.17 March 1793 buried at Heston Church Nr Hounslow". A paper label
on the reverse reads "Edward Archer (2nd son of Ed Archer of McJohn)
Born 1754. A merchant of Henrietta St. Covent Garden London. Died
unmarried March 1793. Burd. at Heston, Middlesex". SOLD Edward Archer (1754-1793) was the son of Edward Archer (1701-1777) and his second wife Elizabeth Chamney, who were married 9 October 1746 at St Peter & St Kevin in Dublin. |
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BATEMAN, Lord. Painted silhouette on card, c 1800, signed by John
Field, 69 x 82mm, in a later oak frame, 175 x 190mm. Bearing Field's
distinctive signature beneath the truncation, and the sitter's name in
very small script in pencil at the top edge. On the reverse, visible through a
window cut-out in the rear mount, a
contemporary ink
inscription reads "Lord Bateman Copd. for Mr Davis".
Click on picture for larger image. £325 Presumably 2nd Viscount John Bateman (1721-1802), of Shobdon Court, Lord Lieutenant of Hertfordshire. The artist John Field (1772-1848) was one of the most famous and skilled silhouette artists, who in his early years worked as an assistant to John Miers at his studio in the Strand, London. Characteristic of some of his early work, as in this case, are silhouettes painted in umber with fine strokes of sepia to impart detail. (McKechnie) |
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| BEECH /
WHITE / MARSHALL family. A pair of cut silhouettes dating to c.1830
with highlights applied in gold of a lady and gentleman, both mounted in
matching frames (95 x 133 mm). On the reverse are labels which identify
the lady as a member of the Beech family, and the couple as the
grandparents of Emilie White who married Hubert Marshall. The pair £130 Details have not been found of a marriage between Hubert Marshall and Emilie White which have blocked further research into their ancestors and the connection with the Beech family.
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| BENTINCK, Lady Mary (1778-1843). Portrait miniature on ivory,
53 x 66 mm, in wooden frame 115 x 127 mm, with suspension loop,
c.1830. Click on picture for larger image. £150 Lady Mary Bentinck, daughter of the Prime Minister William Henry Cavendish Bentinck, 3rd Duke of Portland (1738-1809) and Lady Margaret Cavendish Harley (1715-1785). |
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BISH, Thomas (1751-1815).
Painted silhouette of a gentleman on flat glass, over a plaster backing
(chip to mid left side) in its contemporary ebonised frame measuring 8 x
10 inches (2 cracks through the wood and several chips to the moulding).
On the reverse an old ink inscription reads 'T.Bish ae 22 - 1784'
and more recent inscriptions read ' Born 1751 Died 1815 Dec 3d.
............. Father of Thomas Bish M.P. for Leominster Born May 5 1779.
Died Dec 27 1842'. £350 Relatively little seems to be known about Thomas Bish, but his marriage to Elizabeth Markes (died 1823) is recorded in London in 1795, and he appears to have fathered at least three children, Thomas, Susanna and Elizabeth. He is undoubtedly best known as the father of his namesake Thomas Bish (1778-1842) MP for Leominster and, famously, the lottery-office entrepreneur immortalised in Thomas Hood's comic verse Ode to Thomas Bish, Esq. |
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BLACK, Joseph (1728–1799),
chemist and physician.
Polychrome relief portrait in wax, with the inscription on the
truncation "JOSEPH BLACK MD. 1788". On black glass 70 x 95mm in a 19th
or 20th century gilt frame. There is a horizontal crack running from
just below is lower lip right across to the back of his tied hair, and
another less obvious crack running under his chin line to meet the
horizontal crack. £400 Black is importantly known for his discoveries of latent heat, specific heat, and carbon dioxide. He was a founder of thermochemistry who developed many pre-thermodynamics concepts, such as heat capacity, and was the mentor for James Watt, with whom he forged a lifelong friendship. He developed other close friendships amongst the Edinburgh elite, including Cullen, Hutton, Hume, Smith, and Ferguson. He was an enormously popular lecturer, and the chemistry buildings at both the University of Edinburgh and the University of Glasgow are named after him. This relief portrait is taken from James Tassie's sulphide portrait taken in 1788, which was also produced as a portrait medallion by Wedgwood. |
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MIERS PORTRAIT OF FRIEND OF JANE AUSTENCALLAND, Rev John (1763 - 1800). Silhouette on plaster of a gentleman from the studio of John Miers. Mounted in a contemporary ebonised oval frame (circa 6 x 7 inches) with convex verre églomisé cover glass. On the back of the frame is an early manuscript inscription "Revd John Calland died Octr 12th 1800 aged 38 years" plus a short contemporary printed obituary notice of John Calland pasted over a worn printed trade label, from which the wording "PROFILE PAINTER & JEWELLER .....111 opposite Exeter Change London" can be made out. An horizontal crack exists just below shoulder level (see photos).SOLD John Calland was born in India in 1763, the eldest son of East India Company merchant John Calland (c1733-1803) and Elizabeth de Morgan (b.1734), daughter of John de Morgan, Governor of Fort St George, Madras. The family returned to England in 1768-9, where John received a good education and his father obtained for him the living and rectory of Bentworth, Hampshire. John was also a prebendary of Chichester, and chaplain to the Right Honourable Lord le Despencer.John Calland was a good friend of Jane Austen whose family lived a short distance away at Steventon rectory. Jane refers to him in a letter to her sister Cassandra (24 December 1798) upon attending a ball:"...... and Mr. Calland, who appeared as usual with his hat in his hand, and stood every now and then behind Catherine and me to be talked to and abused for not dancing. We teased him, however, into it at last. I was very glad to see him again after so long a separation, and he was altogether rather the genius and flirt of the evening. He inquired after you.". The trade label on the reverse of the frame corresponds exactly with label 11 descibed in McKechnie British Silhouette Artists and their Work (1978) used from 1791 until at least 1809 by the studio of John Miers. By this time Miers had adopted the verre églomisé technique for his more expensive work. |
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CHURCHILL, Mary.
Portrait miniature on ivory (?) of a lady, c.1820, measuring 45mm in
diameter, in a round gilded decorative brass frame. Scottish school, with a
paper label on the reverse reading "MARY CHURCHILL GRAND DAUGHTER OF SIR
PATRICK MURRAY". £400 The connection between the Murray and Churchill families can be identified through the descendants of Sir Patrick Murray of Ochtertyre 4th Bart (1707-1764). His daughter Joan married in 1769, Charles Churchill, but it has proved difficult to establish how many children they had - there was a son, Charles Henry born 1772 in Perth, Scotland. Perhaps Mary was one of their children, which would then accord with the label. |
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COBBETT, Susan.
A fine painted silhouette on card of a young lady in a contemporary
ebonised oval frame (4 x 5 inches) with suspension loop. On the reverse
an old ink inscription reading "Susan Cobbett (aunt Susan).
Kensington 1822". The inner window mount has caused peripheral
browning onto the card. The style and fine detail are suggestive of the
work of the London silhouettists John Field or Joshua Trewinnard. £200 This portrait is believed to be that of Susan Cobbet (maiden name unknown) born circa 1801 in Loxwood, Sussex. She was the wife of James Cobbett, a groom (born about 1806 in Guildford), who in the 1851 census were living at 17 Kinnerton Street in Westminster, together with three of their children. The only other Susan Cobbett resident in Kensington in 1822 was the daughter of the famous political writer and farmer William Cobbett (1763-1835). Susan was born in 1807 and would have been 15 in 1822, which seems unlikely for this portrait. |
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| CRAVEN,
William.
19th century cut silhouette on card of a gentleman (90 x 125 mm),
inscribed in ink on the reverse "William Craven Esqr. --- I have no
doubt of this being an intended likeness of my Father. It is his figure
& the features are the same as his, as well as the picture. But it wants
the life & animation, which were habitual to him. C.Craven Spexhall
Rectory Oct 29th 1875." Card discoloured. Mounted under black card
(6 x 7.5 ins) with a card window on the reverse revealing the
inscription. SOLD William Craven (d. 1832) of Weaste House, Manchester, the son of Joseph and Mary Craven, was a Captain in the 22nd Regiment of Foot. William's son Charles who appended the notes on the reverse was born in Manchester in 1797 one of at least 9 children of William and Mary Craven. He was installed as Rector of Spexhall, Suffolk in 1847 which he occupied until his death in 1877. |
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CROSBIE, Thomas & Jane
(née WILSON). A late Georgian period pair of silhouettes of a
gentleman and lady painted on card and mounted in contemporary ebonised
oval wood frames (cracked at base) circa 4 x 4.5 inches, both with
suspension loops. On the reverse the paper backings have indistinct
pencil inscriptions reading: 'The late Thomas Crosbie to Peter
Carruthers Esq Portrack' and 'Jane Wilson or Mrs Crosbie to Peter
Carruthers Esq Portrack'. Both have additional paper labels
inscribed 'THOMAS CROSBIE B 1762 D 1818' and 'JANE WILSON (MRS
THOMAS CROSBIE B 1762 D 1826). The portrait of Mrs Crosbie has an
unsightly brown stain at the base of the card. £250 Thomas Crosbie (1762-1818) was a merchant of Dumfries who in 1787 married Janet Wilson (1762-1826) the daughter of Robert Wilson (1730-1807) who was in the tanning business, and his wife Mary Robson. They had at least six children (see Memorials of St Michael's: The Old Parish Churchyard of Dumfries 1876). Evidently these portraits were given to Peter Carruthers (1831-1915) of Portrack House, Dumfries, who was possibly a relation. |
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CROUCH, James
(1774-1860). A late Georgian silhouette of a gentleman painted on
card, in a contemporary ebonised oval frame (5 x 6 x 1 1/4 inches) with
suspension loop. On the reverse is an old ink inscription reading "
James Crouch Esquire Ob:1860 Grandfather of Walter Crouch F.Z.S. of
Wanstead etc. JC (born at Hastings) was for many years Resident
Inspector of Customs at London Docks in the "good old days" when every
thing was taxed". The card is discoloured, especially on the
periphery. The silhouette comes with copies of various genealogical
details. £250 James Crouch was born in Hastings in 1774, the son of Thomas and Mary Crouch. James married Sarah Marston in 1803 in London, and became a Customs Officer. They had at least four children, including post office clerk Walter Crouch (c1809-1879) who married Mary Ann Crouch in 1836. Their son Walter Crouch (1841-1918) was an insurance manager but also a well known Essex antiquarian and naturalist, and Fellow of the Zoological Society. |
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ELLIS, Samuel.
Portrait miniature of a young man in profile on card or paper, measuring
65 x 75mm, in a contemporary oval wood frame 110 x 120mm with a
suspension loop. On the reverse a damaged paper backing inscribed
"Samuel Ellis son of John Abigail Ellis . Yarmouth Norfolk".
£150 John Abigail Ellis was born 1758, and married Sarah Harris Hannant in 1782 at Great Yarmouth, Norfolk. Their son Samuel, the subject of this portrait, was born in 1810. |
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ELLISTON, Robert William (1774–1831),
actor and theatre manager.
A late Georgian portrait miniature on ivory of a middle aged gentleman
in a dark blue coat in a brass frame (2 x 2.5 inches) with integral
loop, bearing on the glazed reverse an old typed label reading 'Mr
Elliston (actor)'. Vertical crack on the very far left edge not
affecting the figure, otherwise in excellent condition. £500 Robert William Elliston was born in London, the only son of Robert Elliston (d. 1799), a watchmaker. He was educated at St Paul's School, but stage-struck ran away from home and made his first appearance on the stage at Bath in 1791. Remaining in Bath (where his work was admired by Jane Austen) he married in 1796 Elizabeth Rundall (b. 1774/5), a dancing instructor, with whom he had ten children before she died in 1821. From 1804 to 1809 Elliston became a leading actor at Drury Lane, and afterwards entered theatre management, beginning with the Royal Circus in St George's Fields (1809-14); Manchester Theatre Royal (1809–10); he purchased Croydon (1810); leased Birmingham (1813–18); then Worcester and Shrewsbury (1815); he purchased the Olympic Pavilion in London (1813); leased Lynn (1817–18), Leicester, and Northampton (1818); Leamington (1817) (where he first met Charles Lamb); he became manager of Drury Lane in 1819; and leased Coventry (1821). Ill-health and misfortune culminated in his bankruptcy in 1826, when he made his last appearance at Drury Lane as Falstaff. As the lessee of the Surrey Theatre he acted almost up to his death in 1831, which was hastened by alcoholism. Leigh Hunt compared him favorably as an actor with David Garrick; Lord Byron thought him inimitable in high comedy; and Macready praised his versatility. (ODNB and Wikipedia). |
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FITZ GERALD, Terence.
Portrait miniature on ivory of a man in a blue Hussar's uniform
inset in a gold oval frame (48 x 60mm) with blue glass surround. On the
reverse a plaited hair piece under glass with the decorative intertwined
monogram TFG. On the frame edge are engraved the sitter's details
TERENCE FITZ GERALD. BORN 1773. DIED 1826. The paint on right hand
side of the sitter's head and face is badly thnned, and there is a
vertical hairline crack just left of the top edge. SOLD Terence FitzGerald obtained a lieutenancy on 26 Sept 1799 in the 83rd Regiment of Foot (raised in Dublin in 1793), at which time the regiment were stationed in the West Indies. Presumably he transferred from the 83rd to a regiment of Hussars when this portrait was painted. He may or may not be the same Terence FitzGerald who filed a law suit in 1822 in the important partnership case of Fitzgerald v Boehm (relating to the wealthy merchant Edmund Boehm). |
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FORREST, Thomas. Cut silhouette on card of a gentleman (51 x 61 mm), inscribed in ink on the reverse “Thomas Forrest Leighton Buzzard” with the inserted date 1841 in pencil, and the silhouettest’s inscription “ Mr E.WHITTLE ARTIST”. In a contemporary oval wood frame (90 x 100mm), which has a repaired split at the base. SOLD Thomas Forrest was born in York c 1786 and died in Leighton Buzzard in 1854. He is found in the 1851 census at Lawford’s Wharf, Linslade (nr Leighton Buzzard), Buckinghamshire, working as an accountant, and living with his wife Matilda and daughter Emily. His work was connected with the activities of the Grand Junction Canal, an important waterway completed through Linslade in 1805, which significantly boosted trade and employment in the area in the 19th century. |
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GEE, Henry. Portrait
miniature in pencil on card of a gentleman, of late Georgian date,
mounted in an oval brass miniature frame (measures 68 x 82 mm not
including suspension loop). On the reverse of the card is a contemporary
ink inscription reading Mr Henry Gee.
£120 Believed to be Henry Gee born in Derby about 1775, became a watchmaker in Derby, and in 1800 married Elizabeth Nevill, by whom he had several children. Henry Gee in 1841 but lived long enough to be recorded in the 1841 census together with his family (copy included). |
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GRAHAM, Dora Ennis. Cut silhouette of a young
woman, highlighted in gold, on card (91 x 123mm), with a pencil
inscription under the truncation reading 'Dora Ennis Graham' and
on the reverse in pencil 'Accidentally drowned with husband & only
child March 1845', inside an old decorative frame (125 x 160mm) with
a few pieces of the relief moulding missing. The card has an unsightly
water stain, which could be professionally removed. £75 Dora Ennis Graham was born Dora Ennis Bellairs, and married Reginald Simpson Graham on 10th September 1838 in Bedworth, Warwickshire. Their daughter also named Dora Ennis was born in 1839 in Salford, Lancashire. The family are found in the 1841 census in Eccles, Lancashire, when Reginald's occupation is listed as a merchant. Perhaps through Reginald's occupation the family perished at sea - further research may uncover the story behind the tragic deaths of all three members of the family. |
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HALL / GOSLING /
BURGESS FAMILY. A group of four silhouette portraits taken c
1803-1811, all in matching wood
and pressed brass frames 110 x 130mm.,
and all with paper labels giving details of the sitters as follows: 1. "Saml. Hall Senr. aged 82 1803 Died July 12th 1806 aged 85 at 11 O'C at night. ------------- to his wife 1771 aged 5------ Betty their daughter died 13th January 1815 aged 63". 2. "Sarah Hall Daughter of James and Nancy Gosling . Wife of Samuel Hall Jnr. Died Nov.25th 1828 aged 57". 3. "Saml. Hall Junr. Aged 46 1804. Died July 6th 1817 aged 59 yrs." 4. "Thos. Burgess Jnr. Sep. 1811 aged 22. Born 28 Apr. 1789" and in pencil "Jennie M.Arnold Oct. 30 1906". One frame with the brass complete; two with cracks and losses; and one with substantial losses. £400 The Hall family and associated families they married into, can be located to the parish of Prestbury, Cheshire. James Hall married Nancy Gosling in 1790, while the connection with Burgess appears to be through the marriage of Thomas Burgess to Lydia Hall on 24th November 1811. |
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HOLBROW, Joan. A late Georgian period painted silhouette of an
elderly lady on paper 150 x 200mm, with an extensive Latin dedication
written in ink forming an octagonal surround. At the base a pencil
inscription "Joan Holbrow of Tockington". The silhouette is
mounted in a modern black frame. £100 Joan Holbrow was the wife of Daniel Holbrow of Tockington, Gloucestershire. Joan was a Quaker and a very close friend of the Quaker minister Mary Dudley (1750-1823) (see E. Dudley, ed., The life of Mary Dudley .1825). |
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MacGREGOR,
Margaret. Painted silhouette of a lady with a bonnet, 80mm high, in
a contemporary frame measuring 138 x 165mm, on the back of which is a
paper label reading "Margaret MacGregor born at Cramond March 16
1810, married Walter Symons in 1850 and died at Simerton March 10 1903.
This sketch was drawn by her brother Walter MacGregor December 10th
1836. Received from her granddaughter Margaret Symons June
11 1925". £100 Margaret Symons is recorded in the 1861 census, the wife of Walter Symons, a baker, with their son Walter (aged 10) and Ewen McGregor her brother (aged 54), in Liberton, Midlothian. |
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| MOLINEUX, Joseph and Ann. A pair of portrait miniatures,
pencil on paper (53 x 66mm), of Joseph Molineux (1713-1771) and his wife
Ann (nee Brett) (1715-1782). Small worm holes through parts of the
paper. In gilt wood frames 104 x 120mm, with inscriptions on the rear. With
genealogical notes. Click on picture for larger image. £500 Joseph was the fourth son of John and Mary Molineux of Wolverhampton, who settled in Lewes, Sussex in 1738, where he was engaged in the iron trade. He was appointed Receiver-General of Stamps and Taxes, and was High Constable of Lewes in 1745 and 1764. He married Ann, daughter of Dr William Brett of Lewes, and his wife Ann Apsley, by whom they had at least six children. |
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| NEELE, Henry (1798–1828), poet and writer. Silhouette 52 x
85mm, in a leather frame, 96 x 119mm. Inscribed on the reverse "Henry Neele the Poet. Taken at Margate in the Autumn of 1823".
Click on picture for larger image. £300 Henry Neele was born in London and joined a firm of solicitors, whilst devoting his spare time to literature and poetry. In March 1823, a few months before this silhouette was taken, his Poems Dramatic and Miscellaneous was published, which attracted much interest, making him a popular contributor to magazines and annuals. Following the large amount of work he devoted in 1827 to producing a collected edition of his poems in two volumes, and his Romance of English History in three volumes, he committed suicide in February 1828 at his home in Castle Street, Marylebone. (ODNB) |
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| NORTON, Ann.
Portrait miniature on card circa 1780 of a lady with an indoor gathered
lace bonnet (of dormeuse type) with pink bow, and wearing a lace edged
bodice. Skin tones uneven in places, but no paint flaking. Mounted in a
contemporary ebonised oval frame (118 x 103mm) with suspension loop. On
the reverse on old paper is a contemporary handwritten inscription:
"Miss Ann Norton of Stepney". The miniature has been glued on the
reverse onto a cut down 18th century playing card (see photos). Not the
work of a leading miniaturist, but a wonderfully evocative portrait of a
lady of the 18th century Stepney / Spitalfieds community. £750 Ann Norton has not been positively identified, although 3 potential christening records are found in the IGI, the first christened 11 February 1738 at St Dunstan, Stepney, the daughter of Richard & Ann Norton; the second christened 4 July 1753 at St Dunstan-in-the-West, the daughter of Thomas & Susannah Norton; and the third christened 13 April 1757 at St Mary Whitechapel, Stepney, the daughter of Charles & Anne Norton. A marriage is recorded between Ann Norton and John Roberts 15 October 1782 at Spitalfields Christ Church, Stepney. |
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FRIEND OF DANIEL O'CONNELL O'HARA, William. Painted silhouette on card (profile 67mm high), mounted within a decorative paper surround, inside a frame (120 x 156mm). The card is grubby but the painted silhouette is sharp and well executed. The reverse is glazed preserving a letter reading: "Xmas 1912. My Dearest Emmie, This is a portrait of our darling Mother's father, done "a la Silhouette" which was the mode of taking likenesses in the old times before daguerritipes or photography were invented. Our grandfather William O'Hara of Cork was a man of great talent both in Business matters & music & drawing. He was a Printer, Publisher, Book-seller & Stationer, & a most superior man in every way. He was a close friend of The Liberator Daniel O'Connell. I thought you might like it for your cabinet of little curiosities & to tell your sons about him. Your ever affectionate sister, Haidee." £100 William O'Hara can be found in various Cork directories from the 1820s to 1840s trading as a bookseller, stationer and printer. His friend Daniel O'Connell is the famous Irish nationalist leader, who campaigned for Catholic emancipation and for the repeal of the Union between Ireland and Great Britain. |
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ORR, Patrick Esq.
Cut silhouette on card of a gentleman with painted gold highlights,
mounted in
a contemporary hardwood frame measuring 138 x 159mm. On the paper backing is an
old ink inscription reading "Patrick Orr Esq" and a pencil date
of 1833. £150 This is almost certainly Patrick Orr (1773-1848) the second son of Patrick Orr (1746-1817) of Bridgeton, Kincardineshire. Patrick Orr junior married in 1814 Margaret Caroline, second daughter of Major Martin Lindsay of Kilconquhar, Fifeshire. He served as Sheriff-Clerk of Forfarshire from 1812-48, the same office held by his father. |
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PERCEVAL, Anne Caroline.
Portrait miniature of a young lady wearing a white off-the-shoulder
dress with a brooch, and her hair trimmed with flowers. In a
gilt
metal mounted rectangular papier-mâché frame (110
x 124 m), the oval cut-out measuring 50 x 60mm. On the reverse is a
paper label with an inscription reading "Ann Caroline Perceval Mrs
Houstoun of Clerkington. Painted 1847 by Jas: Holmes jr. London".
£500 Anne Caroline Perceval was born 1814 in Spencerwood, Quebec, a daughter of Michael Henry Perceval (c.1779-1829), Inspector of Customs at Quebec, magistrate, and Staff Officer and Aide de Camp to Sir George Prevost during the 1812 war. Anne married Alexander Houston (1806-1874) of Clerkington, East Lothian, Scotland in 1835, by whom she had four sons. James Holmes junior of London, was a miniature painter active 1836-1859, a son of the artist James Holmes (1777-1860). |
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SCOTT, Anne Elizabeth (née BROWNE). A fine late 18th century
portrait miniature of a lady painted on ivory (the wafer slightly bowed)
set in a gold pendant frame (circa 2.25 x 3 inches) with encased plaited
hair. Pasted on the glass panel on the reverse is a piece of paper with
an inscription reading 'Anne Elizabeth Browne daughter of -
Browne Banker of Rotterdam - Married Thos Scott Esq of Norwich".
With some crazing to the paint of the blue dress on the right shoulder,
but otherwise good. The miniature comes with copies of genealogical
records. £500 Anne Elizabeth Browne was christened 7 February 1748 at the English Presbyterian church, Rotterdam, Netherlands, the daughter of banker Thomas Browne (b.1725 or 1726) and Mary. Anne married Thomas Scott (1733-1816) on 30 August 1767 at the English Presbyterian church, Rotterdam, and birth records of their children (at least 9) indicate that they had settled in Norwich by 1768. Anne died on 6th January 1819. There is a monument dedicated to Thomas and Anne and their daughter Anne (1770-1837) in St Andrews Church, Norwich. |
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| TATTON SYKES, Mary Anne, Lady
(1792-1861). Silhouette painted on the
reverse of glass, with verre églomisé border, 100 x 125mm, in a
eye maple frame, 170 x 195mm.
Click on picture for larger image. £400 Mary Anne was one of five children of Sir William Foulis, 7th Bt. and Mary Anne of Ingleby Manor, Yorkshire. In 1822 she married Sir Tatton Sykes (1772-1863), 4th Bt., landowner and racehorse breeder, who succeeded to the baronetcy following the death of his elder brother in 1823, whereupon they moved to Sledmere, near Malton, Yorkshire. They had two sons and six daughters, but while Sir Tatton was outwardly a respected and popular figure, his family knew him as a brutal figure, who ruled over them ‘with the vicious rage of a stone-age tyrant’. (ODNB) |
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